The nineteenth-century painting depicting St. Agnes was probably used as a procession float, but unfortunately its base no longer exists today. This is indicated by the two-fold coated frame and the Marian monogram in the altar finial of the back, to which the painting of the Virgin Mary was mostly likely attached.
Agata Felczyńska, "St. Agnes", [in:] "The Sacred Lesser Poland Heritage", 2024, source: https://sdm.upjp2.edu.pl/en/works/st-agnes-1